
“Halloween Ends” … until the next one
This franchise's "finale" proves that originality doesn’t always guarantee quality
Om Dighe, Arts & Entertainment Columnist
• November 3, 2022

No need to fear! Queer horror is here!
LGBTQ horror to watch
Om Dighe, Arts and Entertainment Reporter
• October 27, 2022

“Hellraiser:” Who are you calling ‘Pinhead?’
Director David Bruckner's 2022 film sets a new gold standard for horror reboots
Om Dighe, Arts and Entertainment Reporter
• October 27, 2022

Fans of Kid Cudi and animation — rejoice!
The actor-musician’s “Entergalactic” depicts a cosmically beautiful love story
Om Dighe, Arts and Entertainment Reporter
• October 20, 2022

“Blonde” brutalizes Marilyn Monroe all over again
This exploitative film, based on fiction, depicts the icon’s life in the most revolting way
Om Dighe, Arts and Entertainment Reporter
• October 13, 2022

Does James Cameron’s “Avatar” hold up 13 years later?
Looking back at the no. 1 highest grossing film of all time in preparation for the sequel
Om Dighe, Arts and Entertainment Reporter
• October 6, 2022

“They/Them” proves to be an embarrassing mess
This supposed slasher failed as a queer empowerment story and just doesn’t cut
Om Dighe, Arts and Entertainment Reporter
• September 29, 2022

Gender-neutral fashion and queer representation in media
A review of gender-neutral fashion in Netflix’s “The Sandman” and “The Umbrella Academy”
Om Dighe, Opinions Columnist
• September 22, 2022

“Orphan: First Kill” is a campy delight
The (not so) long-awaited prequel to the 2009 movie “Orphan” had no right being this fun
Om Dighe, Arts and Entertainment Reporter
• September 15, 2022

Jordan Peele’s new “Nope” is a resounding yup for us
Why his third project, a new science-fiction horror film, is his best directorial outing to date
Om Dighe, Arts and Entertainment Reporter
• September 8, 2022

The true horror of “Men”
Does Alex Garland’s latest feature actually say anything of merit?
Om Dighe, Arts and Entertainment Reporter
• September 1, 2022

“Everything Everywhere All at Once” lives up to its title
A masterpiece about nihilism, generational trauma and … googly-eyes?
Om Dighe, Opinion Columnist
• April 28, 2022
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