
From vampires to bats: “The Batman” review
Pattinson’s performance as the caped crusader sparkles on the silver screen
Om Dighe, Arts Columnist
• March 24, 2022

“Texas Chainsaw Massacre” let down its predecessor
Om Dighe, Opinion Columnist
• March 18, 2022

OPINION: “Euphoria,” surrealism and the ever-present high school drama
Katy Browne, Arts and Entertainment Reporter
• March 17, 2022

Album Review: Alt-J’s “The Dream”
The alternative indie band’s fourth studio album is unsurprisingly full of surprises
Ashley Allen, Arts Columnist
• March 17, 2022

Gallery Practicum: Creating space for art
The Gallery Practicum course encourages students to explore art from a curator’s perspective
Ayden Smith, Arts Reporter
• March 3, 2022

Catching up with New Works SA
Theater non-profit makes strides with community outreach and new musical
Ashley Allen, Arts and Entertainment Reporter
• March 3, 2022

Don’t watch “Don’t Breathe 2”
Trigger warning: Mentions of sexual assault, forced pregnancy
Om Dighe, Opinion Columnist
• March 3, 2022

Explore “Unreal Paradise” in Neidorff Gallery exhibit
Artist Marnie Weber features over thirty years of artwork in her collage series
Ashley Allen, Arts and Entertainment Reporter
• February 24, 2022

Opinion: “Don’t Look Up” doesn’t deserve an Oscar
Om Dighe, Arts and Entertainment Reporter
• February 24, 2022

Winner of TUPS Playwriting Competition Announced
Nathan Mihalski’s “Burger Islanders: Infinity Sauce” takes first
Ashley Allen, Arts Columnist
• February 17, 2022

Not your typical scholarly publications
The works of 3 faculty members that don't fit traditional scholarship
Ayden Smith, Arts Reporter
• February 13, 2022

Spilling the NFTea
Ashley Allen, Arts Columnist
• February 11, 2022

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